- Title: Look Who’s Back // Er ist wieder da
- Country of Origin: Germany
- Genre: Comedy
- Released: October 2015
- Run Time: 116 minutes
- Director: David Wnendt (Germany)
- Starring: Oliver Masucci (Germany), Fabian Busch (Germany), Katja Riemann (Germany), Christoph Maria Herbst (Germany), Franziska Wulf (Germany), Michael Kessler (Germany)
- Available on: Netflix, Google Play, Amazon DVD, iTunes
- Subtitles in English
- Recommendation by Ian Magnuson
For a country who only recently re-legalized print of Mein Kampf, the blueprints to Adolf Hitler’s rise to power, the sheer existence of a movie, and previously a book, about Hitler coming back to life in the 21st century was certain to turn heads. Er ist wieder da, or Look Who’s Back in the English version, resides in some nether zone between comedy and cautionary tale. The movie is bizarre but only because it references the fact that the book exists prior (or during) the production of the movie. The continuity is quite confusing but luckily not actually that important to the film. First impressions force me to say this: if I didn’t know any better, I might guess that this is some dark satire about the current state of American politics with Hitler and a few of his supporters talking about “making German great again” (though there is historical precedent) among other things like media opportunism and collective responsibility for the nastier elements of democracy.
Aside from being in Germany when the movie was being promoted and having heard of it before, I knew very little about it going in. Some context would have been very beneficial, so let me help you out: the movie is a semi-scripted comedy that draws on many of the strengths movies like Sacha Baron Cohen’s Borat. Oliver Masucci, portraying der Fuhrer, essentially improved on-the-street interviews and interactions with regular German citizens. Everyone assumes that he is an actor playing Hitler but some unfortunate comments still seep out from people that are obvious Rechstradikale, right-wing German nationalist. This is most evident when he travels to Dresden, home of the anti-refugree movement PEGIDA – for more info on this, I wrote about my experience seeing this group in my travel blog. Maybe I should point out that Hitler disregards all current political parties in Germany except one, the Greens! He dismisses the conservatives as useless beer drinkers, the socialists as his old rival, and even the actual extreme right party as being full of useless degenerates. He only seems to like the Greens, the newish environmental party, because he associates protecting the environment to protecting the Heimat or homeland. It’s so on the nose that it really feels like the filmmakers are overdoing the “satire” at some points of the movie.
There is a story arc in the film that focuses on the German media taking advantage of the ratings behemoth that would be Hitler coming back to life. Hitler, being the “real” Hitler in the movie takes his “role” so seriously that most people just laugh at him throughout the film. Only later do some people realize they’re making a mistake when it becomes clear that he is either the “real” Hitler or so committed the difference doesn’t really matter. From a filmmaking perspective, there’s also a lot to be critical about as the film doesn’t really have a consistent tone, sometimes it’s a comedy, sometimes a rom-com, sometimes a drama, sometimes a 90s American TV show. The usage of tropes here kind of brought me out of the film a view times but the meta nature of the plotline gives me cause to forgive its apparent sloppiness. On the whole, it is a funny movie but I am curious how the novel differs as I highly doubt the novel mentions its own existence. Nonetheless, Look Who’s Back is good enough to get you to laugh at the current state of American and Western democratic politics on the whole.